repozz. Instagram viewer and media Download

skip

RED Digital Cinema @reddigitalcinema Instagram Profile

RED Digital Cinema

@reddigitalcinema

RED cameras combine cinema-grade image quality & incredible dynamic range to deliver the best images possible to cinematographers everywhere.

Media
352
Follows
253
followed by
177.1k

RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 18, 2017

WEAPON 8K S35 captures JessicaJones (actress ) in action on 's . (photo by: Sarah Shatz)

3534
11
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 16, 2017

Steven Soderbergh on the set of his film “Logan Lucky.”

3550
13
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

Here’s a short edit of Elizabeth I. Thanks to for having me share. I hope you’ve enjoyed being behind the scenes with our talented team. Music: 'Swallow' by [Post 8/8 by ]

1282
7
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

I have always loved the use of a handheld camera, particularly for the freedom it gives actors in dialogue scenes. But it is equally suited to moments when the energy of the camera operating needs to match that of the onscreen action. For our Artem smoke-filled battle scenes we shot simply and kinetically, armed only with the stripped down documentary tools of an and operator focus. 2 & 3] For gimbal work across the series, I used a DJI Ronin together with an and both ’s ‘Serene Arm’ and ‘Puppeteer’… effectively giving us 6 axis of stabilization. Typically I would run the stripped down body with a 20mm Ultraprime for moving through our striking locations and exploring their space in the round with our cast. [Post 7/8 by Gear by ]

3607
11
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

The lovely Lily Cole [ ] as Elizabeth I. Lily was aged for these heavily made up scenes of the middle aged queen. This scene was played into a mirror, which allowed us the liberty of Lily’s steely gaze into the lens. This shot was one of the key publicity stills, all of which were derived from the WEAPON’s 6K footage. 2] We lit through heavily diffused windows and HMI lamps outside. Running the daylight cooler at around 4500Kelvin really suited Lily’s porcelain complexion. The shallow focus of an 85mm at T1.9 is evident in these close ups. 3] On the eve of Elizabeth I’s battle, her famously rousing ‘Tilbury’ speech in this scene called for some dramatic lighting. Here it was provided by harder ‘moonlight’, lots of candles and a sea of haze. The reflections of the candelabra in the woodwork was a constant joy in the lighting [Post 6/8 by ]

1153
3
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

Charlie Clements [ ] as the Earl of Essex, rousing his troops. This scene was lit, as most were, by a single source... an uncorrected Tungsten 2000watt lamp through a soft box. These tungsten sources were run through flicker generators for a sense of firelight. [Post 5/8 by ]

1442
4
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

The execution of Mary Queen of Scots [ ]. This scene was with HMI lamps through the windows and plenty of haze... nothing else. To augment the mood I ran the daylight far cooler… setting the camera at around 4000 Kelvin. 2] This scene, shot , was lit with soft daylight through the windows [diffused HMIs] and haze. [Post 4/8 by ]

2529
10
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

A low tracking shot into the defeated Earl of Essex, played by , , using a Hollywood Microdolly. The scene was lit purely with hard light through the windows, creating shafts in the haze, no fill. [Post 3/8 by Gear by ]

3718
10
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

This scene was actually lit purely with candles and haze, with the camera performing beautifully at 1000ISO. I’m shooting on an at Houghton Tower in Preston. Here I'm impressed by the candlelight a little more as AC Dan Di Martino [ ] is with the stop, with it being T1.9 across the series. In the monitor we see Felicity Dean [ ] as the elder Queen Elizabeth. [Post 2/8 by Gear by ]

2772
15
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 11, 2017

I’m taking over ’s Instagram sharing more about the cinematography & lighting behind the ‘Elizabeth I’ series. Starring: , , , Cinematographer: Director: Chris Holt Equipment: RED WEAPON 6K, OLPF, ArriZeiss UltraPrimes, Gear provided by • This is me in the foreground with director Chris Holt [ ] approaching. On AC Dan Di Martino’s [ ] monitor you can see the set-up, the incarceration of Mary Queen of Scots played by Audrey L’Ebrellec [ ].We were shooting at the in Wales in winter and it was freezing. In most of the scenes you can see mist emerging from the actor’s mouths as a result of the cold, which Chris embraced. Here I am lighting with HMI’s through the windows and using candles for warmer accents within the scene. T1.9 and haze on everything. [Post 1/8 by ]

1612
3
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 10, 2017

・・・ It's a wrap on Ultra Europe 2017! It was such an honor to be part of crew. . . . . . . . . . . europe

2650
6
RED Digital Cinema @reddigitalcinema Instagram Photo / Video — Aug 4, 2017

・・・ Welcome to The Crater at BSR. Featuring the Jet Ski Slingshot. New vid is live. /// ☀️⚡️🚀

3788
20
NEXT